July 19, 2025

25 Miles

Hamline-Midway, Frogtown, Payne-Phalen, Dayton’s Bluff

I spent a big chunk of time on the near East Side on this ride. The main attraction there was a former Payne-Phalen church and the couple who live there. Of course, much more caught my eye along the way.

Hamline-Midway and Edmund’s unusual door

From my bike travels, I’ve learned Saint Paulites are a creative lot. Whether it’s through gardens, decorations, color, materials or a combination, people make a statement with these choices. The canary yellow front door at 1438 Edmund Avenue is a case in point.

One story home with bright yellow door; about 2/3 of the house is blue-grey and 1/3 is dark brown wood
What struck me about 1438 Edmund Avenue is the canary yellow front door.
Bright yellow door with window; a dozen small black symbols painted on it
For the most part, the meaning of the unorthodox collection of symbols on the door stymies me.

Frogtown

Green Little Free Library-style box with rainbow on the side.
The Little Free Library at 775 Edmund does triple duty. Not only are books stocked but so are canned and boxed food and hygiene products.

An interesting little building hugs the corner of Edmund Avenue at Kent Street. It is home of the SafeCity Project’s Community Outreach Center. The center endeavors to reduce crime by breaking down barriers between residents, businesses, community groups and the police in Frogtown.

Small rust colored building with light trim and windows of the SafeCity Project
The humble size of the building and its rust tint brought me to a halt at the Community Outreach Center of the SafeCity Project.
Yellow, red, blue, green chairs on patio of SafeCity
Bursts of bright yellow, red, blue and green on chairs on the patio cut through the gray of the morning. They also could be a metaphor for the mission of the SafeCity Project.
Large pothole in the middle of an intersection with barricade over it.
Nearby, a barricade marked sinkhole in the middle of the Edmund-Virginia Street intersection. It is not close to the size of the sinkhole on West 7th that took months to repair. Still, it would certainly do some serious damage to any vehicle to hit it, especially a bike.

Payne-Phalen

Metro Transit operates the Twin Cities area mass transit system. For decades, it had a large maintenance garage in the Midway. Located off Snelling and Interstate 94, where Allianz Field stands today, it was built for streetcars. When those were scrapped, the building housed the buses that replaced them. The obsolete 90+year old facility closed in 2001, succeeded by the gleaming, modern garage on L’Orient Street in Payne-Phalen.

Driveway and sign for Metro Transit bus garage at 820 L'Orient
The driveway to Metro Transit’s East Metro Transit Facility at 820 L’Orient Street. I-35E is in the background.

The maintenance facility is wedged – and I mean wedged – into a roughly triangular spot of land barely larger than the garage. As you can see from the diagram, it is surrounded on two sides by railroad tracks and I-35E to the west.

Aerial composite map of Metro transit facility and boundaries.
Base map Google Maps
bus parked on a driveway next to a 25 foot wall
Northbound I-35E passes just beyond the wall next to the driveway (left) at the Metro Transit building.
Parking lot for staff & ramp up for visitor parking
Two levels of parking for staff and visitors is on the northern part of the grounds.
fence in foreground, driveway behind it and parking lot and bus garage.
The triangle-shaped driveway, foreground, runs past the parking lot, around the Metro Transit building and between the building and 35E on the way back to L’Orient Street. To the left, offices on the second level. Several downtown buildings rise in the background, above the maintenance facility.

Another parking ramp

In an earlier post, I remarked that most parking ramps are located in Downtown Saint Paul. I’ve realized that is incorrect. While many are Downtown, several, including the two-level HealthPartners employee ramp, are scattered around other neighborhoods.

HealthPartners sign in foreground; HP building on the left and parking ramp ahead
The upper level of the HealthPartners’ employee ramp was void of vehicles.
About 24 white vertically oriented tanks a couple of stories tall holding gases
Positioned west of the HealthParnters ramp, a voluminous number of tanks at Univar Solutions. It is among the largest chemical distributors in the U.S. Behind that, the previously visited Metro Transit garage.
Empty level of parking ramp
Looking north from the top the ramp to Westminster Street.

East Side Commons

The large East Side Commons complex extends north along Bradley Street from Whitall for about three-quarters of a block. The pleasingly designed, tidy townhomes and apartments date to 1991.

3 two-story townhomes with two tone paint scheme.
Part of the East Side Commons viewed from Bradley Street.

Both apartments—featuring efficiency, one, and two bedrooms, and townhomes—with two, three, and four bedroom units are available to rent. Residents must meet income restrictions described as “low to moderate” by the owner.

Several townhomes with tuck under garages
Some of the East Side Commons homes include a tuck-under garage.

Before construction of East Side Commons, the property seems to have been undeveloped. Oddly, many of the single family homes on the same block were completed between 1890 and 1911.

Once a church, now a home and more

An 8 foot x 8 foot photo of a veiled puppy, a model of a church on a table with a very pink background. It is displayed outside, in front of a former church in Payne-Phalen.
Adam Beris, an L.A.-based artist, created “Belladonna.” Case Edgerton Studios prominently displayed “Belladonna” in June and July 2023 where the former church sign used to hang.

The catchy billboard featuring a partially veiled puppy is legendary around Case Avenue and Edgerton Street. Although the 8’ x 8’ art piece graced the busy corner for just two months, people still talk about it. I encountered it, and Case Edgerton Studios, for the first time, in July 2023.

Today, on another ride to the area, I met Jessie and Scott. They are the dynamic and creative resident/owners of 580 Case Avenue. I discovered the remarkable story of the conversion from long-time church to a  home/art studio/gathering space/cat sanctuary.

B & W photo of Arlington Hills Presbyterian church circa 1907
Arlington Hills Presbyterian Church in 1907, about five years after it opened. More than 100 years later it would become home to Jessie and Scott.

The move to Saint Paul

Jessie and Scott wanted to return to the Twin Cities from Kansas City. They had been teaching and working as artists there for more than 20 years. Their parents live in Minnesota. Their son, Tino, was studying at the University of Minnesota. It seemed like the perfect time to return.

Scott, left, holding a striped cat. Jessie to the right, with windows in the background in the Payne-Phalen former church
Scott, left, holds one of their six cats while he and Jessie stand in front some stained glass windows in their home.

They originally planned to purchase a duplex or a storefront in Minneapolis, but instead, found themselves in Saint Paul. How did two people from the western Minneapolis suburb of Plymouth land in Saint Paul?

“ I think we got priced out of Minneapolis,” Scott said. “We just kept expanding the range of where we could live. As long as we could get to our parents’ house and get to where our son was going to school. The further out we looked, the more options there were.”

Jessie added, “ The first time I started looking around here, we found another church that was for sale in West St. Paul.” They didn’t purchase that one. However, it inspired them to look for other houses of worship on the market.

Scott browsed a website listing commercial properties for sale. He spotted some Payne Avenue storefronts, and below them, the Contender for the Faith Church at 580 Case Avenue.

Jessie and Scott suspected the building had major structural or mechanical problems as it had been on the market for a long time. Apparently the opposite was true; a goodly number of people toured and considered purchasing it.

The impediment turned out to be the lack of a ground floor entrance. Visitors have to walk up stairs to reach the entrance. Once inside, they must walk down a half flight of stairs. Bottom line, almost any non-residential use of the building required an elevator. “It was like $400,000 or something crazy,” said Jessie, “So that’s why no one had bought it.”

Scott’s reaction? “ I was just struck by the fact that we could actually buy a church and it had the pews and the carpeting and the weird stuff hanging on the walls.”

Wood benches in church chapel with alter in background
Rows of benches lined the chapel in this 2020 photo from the commercial listing of Contender for the Faith Church. Courtesy Crexi.com
Tall room with stained glass windows and beams across the ceiling. the former church is in Payne-Phalen
Stained glass windows remain after renovation in what was the the worship area of the former church.

Lighting is is of the utmost importance to artists and an abundance of it streams through the many windows. Jessie said, “The light was beautiful. Like that’s, that’s one of the main things, the space and then how the light comes in.”

Large, well lit room with several portable easels and a small manual printing press in front of a white wall in the Payne-Phalen former church
One of the well-lit spots within the building is both creative and storage space. Several easels and a manual printing press sit ready.

Jessie explained that Scott’s uncle, a former real estate appraiser, joined them on the showing. “He knows his stuff and he went around and when they weren’t looking, he sort of punched holes in the drop ceiling and looked everywhere.” He proclaimed the structure as ‘fine.’

After the showing, Jessie and Scott stopped at Cadence Coffee and Records, three blocks away on Payne Avenue. “ They were playing King Crimson, which is my favorite band.” And while Jessie didn’t say it, she inferred it was a sign that they were destined to buy the former church. Jessie explained, “ Okay, we can live here. Like there’s a cool coffee shop and we’ve got a church. And Saint Paul’s not that far away (from Plymouth), right?”

She added, “ Minneapolis, and Uptown, where we always lived, I love it, still. But, you know, things have been a little bit gentrified here and there, but it’s still awesome. And this is definitely not gentrified.”

“ This is the opposite of gentrified here on the East Side,” Scott said, which pleases both of them.

The purchase and renovation

They purchased the church in 2021, while living in Kansas City and in the midst of the COVID-19 pandemic. The City of Saint Paul needed about a year to approve the necessary permits that allowed the renovation.

“ We had asbestos on the tiles underneath the carpet, so we had to get that removed.” And Scott added, they hired a company to gut all the ceilings, floors and much of the basement. “It was all plaster lath so we had to get rid maybe like six dumpsters full of just stuff. We just removed tons of stuff before we even started construction.”

basement of church building with plaster & lath on the floor, stone walls and a window in background
Plaster and lath on the basement floor during the tear-down phase of renovation. Courtesy of Case Edgerton Studios

Having remodeled previous homes, Scott undertook the bulk of the renovation himself. They hired professionals for the electrical, plumbing and determining how to remove the 10 foot high drop ceiling. “ This is twice the size of our house in Kansas City, so if you need sheet rock, you need twice as much in this case, I dunno, 600 sheets or something like that,” Scott explained. “We sheet-rocked the whole ceiling and walls and everything. It was a lot of work.” Fortunately, a neighbor loaned them scaffolding which they used for about two years, which was hugely helpful.

Room in the Payne-Phalen former church with many paintings on white walls. Bench and couch on the floor.
The gallery of some of Jessie and Scott’s paintings which hang on walls he sheetrocked.

As is often true, the original renovation plan required revisions, Scott declared. “We bought the church, but we were living in Kansas City, so we had drawings and pictures and we’re trying to work with the architects to figure out what would be the best. Until you’re like in the space and living in the space, it’s hard to imagine what it’s gonna look like. So we did a lot of editing.”

One Floor to ceiling bookshelf on either side of a stained glass window. Shelves full of books with a couple shelves with various 3D objects in the Payne-Phalen former church
Two floor-to-ceiling bookshelves Scott built.

Modifications included relocating the stairway between the basement and main level, reconfiguring some bookshelves, fashioning extensions at the top of a couple walls to improve light control and installing new structural supports. The structural beams were needed to pass the inspection and prepare for additional work. Jessie revealed, “ The next phase would be a third level up there. And to bring the steeple back.”

Wood stairway seen from main floor looking down in the Payne-Phalen former church
The wood stairway between the main floor and basement as seen from the top of the stairs.

Stained glass

A large stained glass window proved to be the one major discovery they made during renovations, Scott said. “ As soon as we signed the papers, we came over here and I took a hammer to the wall and started taking the sheet rock off. I knew there was stained glass back there.” Jessie added, “We could see from the outside; you could see that something had been boarded up.  And it (the stained glass) was still in the wall, which was awesome.”

2 pained stained glass window of the Payne-Phalen former church
Two well preserved stained glass windows in the room that was the church sanctuary.

Some of the church’s stained glass windows were gone. When gardening, they often stumble across pieces of colorful glass, giving them the impression that, at one time, stained glass windows were more plentiful.

Meanwhile, they continue improvements indoors and out. Adding a deck and constructing an outdoor shelter for creating art are priorities.

The back of the former church in Payne-Phalen; white stucco structure with stone lower level; 4 windows and part of a deck under construction
The deck begins to take shape off the back of the residence.

The artwork

The discussion passed from construction to their artwork. “We both work from observation specifically. We’re like perceptual painters,” explained Jessie. “We’re looking at something. That’s why the light is so important, not just to see the painting, but because we’re setting up sort of still lives. And I do a lot of figurative work and portraits, but the still lives are more focused on creating a figure within it.”

Many of Jessie’s paintings are long-term projects. “I usually have maybe like 10 to 15 things going on at once that are paintings and then drawings.”

Scott works much differently and more quickly, completing a painting within two to three months. “ I have a table over there in the corner where and lots of junk that I’ve been collecting, and I set up a little table flow of junk and paint it.”

two paintings on the wall. Both of lush trees and marsh with a pond or lake with lillypads in the foreground.
Scott’s love of the outdoors is apparent in the colors, especially the abundant shades of vivid greens, in these paintings.

Scott also paints landscapes. His technique is called plein air painting, which is simply painting outdoors. For the past year he’s brought an easel and his paints to a spot on Round Lake in Phalen Regional Park, just west of Lake Phalen.

The Artboard

The Artboard is what the couple dubbed the former church sign, It displays an 8’ x 8’ painting, print or photograph that changes every two months or so. The first Artboard display went up for a 2021 festival called Solidarity Street Gallery. Artist Juan Parker’s 4’ x 8’ painting took up but half the space of the old church signs.

Colorful painting featuring 3 indigenous people in traditional outfits. Artist standing next to the painting on the lawn of the Payne-Phalen former church
Artist Juan Parker standing next to the Artboard displaying his work created for the Solidarity Street Gallery in 2021. Courtesy C_E Studios and Juan T. Parker

Jessie now has Artboard artists booked about one year in advance. Meanwhile, every couple of months neighbors eagerly await the debut of the next piece of work.

Large painting of white peonies in a vase on a table in the Payne-Phalen former church
Minneapolis artist Tim Tozer’s created Peonies on the Counter for the June-July Artboard.

Artist camps

The space to host collaborative projects is one reason Scott and Jesse purchased a one-time church. Twice a year they organize a camp for a couple dozen former students, professors and artists, Jessie explained. “ We are calling it winter camp and summer camp. We’ve done it now three or four times and it’s a full week.”

Scott went on to say, “ We’ll be drawing, painting, and drawing for a week and then put all the work up, kind of like an exhibition.”

“ We’re gonna have a model out in the yard,” said Jessie. “We just built our fence along Edgerton, ’cause she’ll be nude and it’s totally private out there. Every morning for three hours we’re gonna work from the model outside.

Backyard with building on the left and long tent-building on the right with chairs. Benches and chairs in foreground outside the Payne-Phalen former church
Part of the backyard where a model and artists work during the summer camp.

And then every afternoon for three hours, we come in here and work from another model.” In the evening, they had more studio time, a communal dinner and the chance to go to a museum, a beach or other Twin Cities-area sight.

“ What’s unique here is that we’re out of our studio and like Jesse was saying, we have this one thing that we’re looking at, like a model, and then how do we each interpret that model, what do we do with it, and what materials do we use?”

Becoming part of the neighborhood

Side of former Payne Phalen Church viewed from across the street. Tall wood fence and bushes in front of fence.
The fence Scott built provides privacy when people are in the yard. In front of the fence, Scott planted a mix of flora, including raspberry bushes for neighbors to enjoy when they walk by.

Pedestrians, vehicles and bikers frequent the area near Case and Edgerton. The former church sits on a corner of the busy intersection, across the street from the well-used Wilder playground. That gives Jessie and Scott frequent chances to meet and get to know neighbors.

Both repeatedly expressed a sincere fondness for their neighbors. Jessie described them as  “super cool, super helpful, friendly” and “the most amazing community.”

They’ve become close to local business owners and area artists. “We were like already part of the art community, you know, like a year before we even moved up here,” according to Scott.

 An interaction Scott recalled warmly involved a group of kids who walked by as he worked on the fence. “They were really polite and they said, ‘Can we eat some (raspberries)?,'” which are among the plants Scott and Jessie planted along the fence. “‘Yeah, this is for you guys, help yourself.’ And I warned them about the thorns and then like five minutes later they came back like, ‘Can we have more?'”

Jessie mentioned a since-dismissed concern they had about purchasing the building. “ We thought, ‘Oh my God, we’re coming into this neighborhood.’ We were moving into this well-known church that, they wanted to leave this space. And we thought that might not be so welcome, but it was exactly the opposite. And you know, some people have come by and said that ‘you’re doing everything right.’ That was a really good comment.”

9 pained window inside the Payne-Phalen former church with view across the street to a playground. Colorful glass bowls and bottles line one shelf.
Large windows face west and the Wilder Playground and behind it, the Wilder Rec Center.

Scott and Jessie talked about how passersby frequently show appreciation for their public art and property improvements. There have been times, said Scott, when while working outside people drive by and, “They’re just screaming out their windows, ‘Thanks!'”

Jessie reflected on a recent brief interaction with a car “packed with people looking tough” playing loud music. “ They’re like, ‘Thank you so much. Nature loves you!'” Jessie’s reaction to herself was, “‘That’s so sweet.'”

Random Payne-Phalen sights

After the tour and long conversation with Jessie and Scott, I continued riding in Payne-Phalen.

Construction site with heavy machinery on a dirt road, signage and local businesses visible in the background.
Construction crews work on road improvements in a busy urban area, with excavators and signage indicating ongoing changes.
Three entrances labeled '1238 REAR', '1238 UP', and '1238 DOWN' on a beige building with a tree in front.
Address designations come in many forms, but 1238 Atlantic “rear,” “up” and “down” are atypical, to say the least.
A blue school bus partially overgrown with grass and weeds, parked beside a dirt road, with a silver pickup truck in the foreground.
An old, modified bus sat surrounded by grass and weeds in the back yard of 1029 Lawson Avenue East. My first thought was it was originally a prisoner transport bus. After closer scrutiny, it’s possible the bus is a repainted school bus. Especially intriguing is the exterior house door at the front and the vent (for a bathroom or kitchen) protruding through a piece of wood in a window in the middle of the bus.

The triangle house in Dayton’s Bluff

An atypical house populates the southeast corner of 3rd Street East and Gotzian Street. The novel story behind the triangular home at 1250 3rd Street East involves landowner Bill Fasbender and his neighbors. They were unhappy he wanted to build a home on the empty lot he owned.

Fasbender’s lot was triangular because of the angle at which 3rd and Gotzian intersected. He needed a variance from the City of Saint Paul to build a conventional square or rectangular home on the lot. However, neighbors opposed the variance, at least partially because they’d lose access to the empty lot. Fasbender’s request was rejected. Rather than give up, he designed and built the home in a shape that needed no variance-a triangle.

Side view of a two-story light-colored house surrounded by greenery and shrubs.
The front of the house, left, and back, on the right, meet on the west or Gotzian side.
A large tree with a textured trunk in front of a two-story house with light-colored siding and green shrubs surrounding the base.
The front of 1250 faces and is parallel to 3rd Street.
A two-story house with a light-colored exterior, featuring multiple windows and a front porch, surrounded by greenery and a paved walkway.
Gotzian Street, foreground, runs along the back of the house.

Third or 3rd?

I’ve long pondered whether the proper way to display numerical street names on street signs is with numerals or with the number spelled out. Based on the intersection of 3rd and Griffith Streets, either (or both) is correct.

A stop sign in the foreground with a street sign indicating 3rd Street and Griffith Street in the background. A house is partially visible on the left.
Third Street or 3rd Street? Both, apparently are correct

Less than a block to the south, one Griffith Avenue home was surrounded by small gardens. These gardens were filled with purple, pink, red, yellow, orange and white flowers.

A well-maintained house with a landscaped front yard featuring colorful flowers, green shrubs, and a clear blue sky.
Several small, gardens bursting with colorful flowers decorated the front yard of 454 Griffith Street.
A lush garden featuring a variety of colorful flowers, a stone path, and a flagpole with an American flag in a residential area.
In the back yard, wild bergamot, balloon flowers, marigolds, daisies and others added dabs of color.

For the second ride in a row I set my sights to ride to the Greater East Side. And for the second time in a row I failed in that regard. Meeting Jessie and Scott was an awesome experience. From their hospitality and showing me their unique abode, I learned they’ve quickly created a welcoming and unique spot, open to all who pass. This proved to be far more valuable than reaching the East Side. After all, the East Side, and its stories, will still be there when I do make it.


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6 Comments

  1. Thanks Wolfie! You certainly have a knack for finding interesting places and people!

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